Home

 

Shortcut to A, B, C, E, f, G, H, J, K, L, M, N, O, P, R, S, W, Y

 

Welcome to the Members Page. Here you can find out about the work of some of our members.

> If you would like to become a member, click here to download our membership application form.

>If you would like your profile and images to appear on this site please contact the web master, contact details available in the newsletter.

Sort by:

Name

Material

Technique

Firing

Method

Search for:

  Page 1 of 3

 

 

Mariette Rennie

Stoneware

Slab-built

Electric

The basis of my work is a preoccupation with the illusive qualities of narrative suggested by architectural and theatrical spaces. These concepts are expressed in paintings and abstract sculptural pieces through form, colour and graphic elements. After a year in the Theatre Department, I qualified in Graphic Design at the Central School of Art and Design

Seascape

Stoneface

Stonescape

 

 

Viv Robertson

Stoneware

Slab-built

Electric

I make thrown and hand-built forms which seek to explore the relationship between the man-made and the natural. I also produce thrown and press-moulded tableware; principally of an individual nature.

"Metamorphosis" ash and manganese glazes and white slip. Height 50cm.

"Aspiration" Ash and manganese glazes and white slip. Height 48cm.

"Ambiguity" manganese and nickel pink glazes and white slip. Height 47cm.

 

 

Sue Rouillard

Other

Other

Other

I have a background in Archaeology and find that low fired early pottery is an ever present influence in my work. All my pots are hand-built, slipped and the surfaces burnished to a high polish. The individual patterning is obtained by smoke firing in sawdust.

Large vessel Diameter 25cm.

2 white slipped vessels

Medium sized vessel Diameter 16 cm.

 

 

Nicky Scott

Other

Sculpted

Gas-fired

I've been working on life sized figures - moulded with paperclay and some with bark texture. Also small animals/human pieces.

Blue torso on stand, barium & ash glazes.

Wolf woman, barium & ash glazes.

Bark torso, ash - iron oxide.

 

 

Maureen Shearlaw

Porcelain

Thrown

Electric

"Professional potter who has recently moved from Park St. Pottery in Minehead (after 12 years) to her home workshop now called Chapel House Pottery. Her first love is working in porcelain for its whiteness, sensuality, delicacy and translucency. She also works with a white stoneware body for larger pieces. Much of her work is decorated with precious metals ie gold and lustres. She has had many exhibitions and prestigious commissions which have included the Saudi Arabian Royal Family , and to sell her work on board the Queen Mary 2 (the largest most prestigious cruise ship in the world). She is a member of the Devon Guild of Craftsmen. Maureen gives private pottery lessons at her home workshop."

Birds egg indented porcelain bowls

Shocking pink porcelain bowls

Hand built porcelain bottles

 

 

Tony Smither

Stoneware

Sculpted

Electric

Professional potter making sculptural stoneware birds and animals for house and garden. Uses a variety of manufacturing methods including throwing, coiling, press-moulding, extruding and slip-casting (and often a combination of one or more of the above). Most work is oxidised in an electric kiln, but some pieces are reduction fired in a gas kiln Works with Doreen Gardner. Sells through galleries and other retail outlets in Britain and worldwide. Also exhibits at RHS garden shows and at Art in Clay

Coot and Sitting Coot

Sitting Suffolk sheep

Hens, large and small

 


  Page 1 of 3

Sort by:

Name

Material

Technique

Firing

Method

Search for: